片购买自新西兰Timescapes官方网站。由于4K版本体积巨大，网络上一直没有出现。这次作为元旦大礼呈现给各位，并揭开2014年4K元年的序幕。

本片通过一块500G硬盘运载，所以介质我只好写Hard Drive。以下这段话来自购买页面，请大家自行感受。

本片为近乎无损的母带，分辨率为4096*2304，携带12bit信息用于后期制作。其编码为Gopro-Cineform，解码器需要自行安装，已附在种子里。此外我还带上了5.1声道音轨独立文件供大家自行选用。

推荐使用完美者解码potplayer播放，本人使用MadVR+LAV渲染，显示器是Dell UP3214Q 3840x2160。

数据流约110M/s，也就是约0.9Gbps，播放前请确保自己的回放系统能够承受，本人采用512G M5Pro，仅供参考。

【导演】: Tom Lowe
【编剧】: James Sanders
【类型】: 纪录片 / 音乐
【国家】: 美国
【语言】: 无对白
【上映】: 2012
【片长】: 48分钟
【又名】: 时间的风景
【IMDB】: tt2297031
【描述】:
For Tom, timelapse started out as a hobby. Braving the conditions, he would camp out in places such as Yosemite, or Joshua Tree National Park, shooting the night sky, then editing the footage and uploading short films to Vimeo.com. People started to take notice, with some of his Vimeo videos racking up hundreds of thousands of views. Simultaneously, Lowe launched the Timescapes.org forum, the largest community of timelapse shooters on the internet, which has grown to over 5,000 members.

This led to a chance encounter on the internet with New Zealand composer and entrepreneur Nigel “John” Stanford. After a brief email conversation, “TimeScapes” the movie was born, with Stanford agreeing to fund the movie and provide Tom with a 4K Red MX digital cinema camera, while Canon USA sponsored the film by providing Lowe with 5.6K 5D Mark II DSLRs and lenses.

Production involved many hardships. Tom slept outdoors for 250 nights, sleeping on cots (without tents) under the stars next to his camera, while timelapse was being captured. During the middle of principle photography on “TimeScapes”, Lowe won the Astronomy Photographer of the year award in 2011, with the above image, 'Blazing Bristlecone' - featuring a 4,000-year-old bristlecone pine tree against the Milky Way. Unbeknownst to the judges, the photo was actually just one frame of a time-lapse movie, which is featured in “TimeScapes”, the movie.

During production, two trailers were released, which went on to gather over 3 million views.

TimeScapes was shot in 5K resolution on Red Epic and Canon DLSR cameras, edited in 4K in Adobe Premiere and After Effects, and graded at 16-bit 4K at Light Iron Hollywood on a Quantel Pablo system, by colorist Ian Vertovec (“Girl with the Dragon Tattoo”,“Social Network”).